1157 безплатни аудиофайлове за "Doubly Augmented Intervals"

Pythagorean diatonic scale on C. + indicates the syntonic comma.

*14 steps in 31 equal temperament on C. Equal-tempered: 214/31:1 = 541.94 cents. MIDI pitch bend: 54,77

Tritone substitution (for V) notated as Italian sixth.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Neapolitan sixth in C minor.

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

Thirteenth chord CMA13(sharp11).

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

*Hundred-seventy-first harmonic on C = F+ (Ben Johnston's notation). Just: 5:4 = 501.42 cents. Limit: 19-limit. MIDI pitch bend: 58,64

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Gruppen tone row (Stockhausen 1963b, 116; Harvey 1975, 58; Misch 1998, 161; Whittall 2008, 185).

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Ratio between pitch and length of an organ pipe: octaves.

11-tet scale on C. MIDI pitch bend matches intervals.

*16 steps in 17 equal temperament on C = B♮ (Easley Blackwood's notation). Equal-tempered: 216/17:1 = 1129.41 cents. MIDI pitch bend: 53,73 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M7 on ~54,73 for 1129.44 cents.

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

*8 steps in 72 equal temperament on C. Equal-tempered: 28/72=1/9:1 = 133.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 134.375 cents rather than 133.336. New version a m2 on 85,74 for 133.3251953125 cents rather than 133.336.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

All-trichord hexachord (6-Z17). Created by Hyacinth (talk) 12:03, 22 September 2010 using Sibelius 5.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Mother chordMutterakkord

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Draft sound.

A little piece of music i made for my youtube channel.

Morning alarm clock buzzing.

Some say 528hz and 741hz is a devil interval, and you can get hurt or even been dead by listening to one. Some don't give a crap what others are saying. So take it on your own risk. God bless!.

Five-minute meditation timer. There is a tone at the beginning, the halfway point, and at the end. Mono, mp3.

This is the interval crowd from the play blithe spirit that ran at the basin theatre in 2019. They've all had a good laugh and their about to go back into the theatre and have some more. Although this is an australian crowd i don't think you can hear any distinct voices or words. It's a happy murmuring.